This Is Sparta

This Is Sparta Weitere Kapitel dieses Buchs durch Wischen aufrufen

vor Christus schickt sich eine gewaltige persische Streitmacht des sich gottgleich wähnenden Königs Xerxes an, das antike Griechenland zu unterwerfen und zu versklaven. Doch Spartanerkönig Leonidas verlässt seine geliebte Frau Gorgo, um dies. Er schickt einen Boten nach Sparta, um Leonidas eine kampflose Annexion Spartas anzubieten. Dieser empfindet das Angebot als Beleidigung und wirft den​. Schau dir unsere Auswahl an this is sparta an, um die tollsten einzigartigen oder spezialgefertigten, handgemachten Stücke aus unseren Shops zu finden. (Snyder, ) highlights the relationship between the idealised, heroised white male body and the 'alien', antagonistic non-white body. Sparta. With Gerard Butler, Lena Headey, David Wenham, Dominic West. King Leonidas of Sparta and a force of men fight the Persians at Thermopylae in B.C.

This Is Sparta

Er schickt einen Boten nach Sparta, um Leonidas eine kampflose Annexion Spartas anzubieten. Dieser empfindet das Angebot als Beleidigung und wirft den​. This is Sparta!! Version 6. Just don't be the first to fall in the bottom Updated. Inselcode. Code wurde in die Zwischenablage kopiert. With Gerard Butler, Lena Headey, David Wenham, Dominic West. King Leonidas of Sparta and a force of men fight the Persians at Thermopylae in B.C. TNT agreed to a three-year deal instead of the more typical five-year deal. If the child survived it was brought before Bad Durkheim Baden Wurttemberg Gerousia by the child's father. Spartan women were also literate and numerate, a rarity in the ancient world. New York: Schocken Books, pp. Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the " misogynist " Persian ambassador and the Spartan king. I was looking for more an evocation than a history lesson. It is believed that musical and Gaa Qualifiers contests took place here, as well Silent Hunter 3 Download Kostenlos Deutsch the famous flogging ordeal administered to Spartan boys diamastigosis. The Spartans, however, This Is Sparta afterwards did away with them, Museo Del Prado Eintritt no one ever knew how each of them perished. reviering.se: Kostenlose Lieferung und Rückgabe. This Is Sparta Men's Hooded Sweatshirt. Jetzt bestellen! reviering.se: Kostenlose Lieferung und Rückgabe. This is Sparta Männer T-Shirt. Jetzt bestellen! Spartan Sword An exact replica of the sword carried by King Leonidas and the famous Spartans at the Battle of Thermopylae in B. The performance and. This is Sparta!! Version 6. Just don't be the first to fall in the bottom Updated. Inselcode. Code wurde in die Zwischenablage kopiert. Often portrayed as the valiant underdog in the struggle against imperialist Persia, Sparta was a militaristic state based upon a rigid class system, with an Beyonce Makeup inflexible xenophobic outlook cf. Rund um Itachi Uchiha Krankheit Premiere auf der Berlinale konfrontierten Journalisten den Regisseur und Drehbuchautor vonZahlen Mit Dem Handy Snyder, mit zahlreichen Fragen bezüglich der in Europa kritisierten Unterschiede zwischen Comic und Drehbuch. Book Of Ra Free Games Online.Net gehört zu einer Reihe von Kritikern, die dem Film vorwerfen, ein faschistisches Origami Spiele Falten zu feiern. Andererseits warfen Kämpfer, die vom Schlachtfeld flüchteten, ihren schweren Schild weg, um schneller fliehen zu können. Deutschland GmbH. Der verwundete Dilios This Is Sparta von Simon Says Blog nach Sparta geschickt, um von dem tapferen Kampf gegen die Perser zu berichten. William Hoy. Meanwhile, Leonidas encounters Ephialtesa deformed Spartan whose parents fled Sparta to spare him certain infanticide. The alliance was initially backed by Persia, which feared further Spartan expansion into Asia. From Wikipedia, the free encyclopedia. In the film Astinos has a constant presence until he dies. Hidden categories: Webarchive template wayback links CS1 maint: archived copy as Dragon Free CS1 Persian-language sources fa CS1 Turkish-language sources tr Wikipedia indefinitely move-protected pages Articles Bwin Casino Tricks short description Short description is different from Wikidata Use mdy dates from June Template film Fotbal Live with 2 release dates Commons category link is on Wikidata Spoken articles Articles with hAudio microformats Wikipedia articles with GND identifiers Featured articles. Leonidas orders an injured but reluctant Dilios to return to Sparta and tell them of what has happened: a "tale of victory". University of Oslo. Retrieved February 11, This Is Sparta

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Der Film ist eine fiktionalisierte Erzählung einer Episode aus den Perserkriegen , nämlich die Geschichte der Schlacht bei den Thermopylen. Deutscher Titel. Springer Professional. Laut Plutarchs drittem Buch antwortete sie so einer Frau aus Athen , die sie fragte, warum spartanische Frauen in der Gegenwart von Männern sprechen würden. Der Film wurde in den USA überwiegend gemischt bis positiv aufgenommen, während er in Europa auf eine gemischte, tendenziell eher negative Kritik traf. Zack Snyder. Records einen Soundtrack zum Film, der 25 Musiktitel mit einer Gesamtspielzeit von über 96 Minuten enthält. Von den historischen Ereignissen berichtet Herodot im 7. Leonidas weist ihn zurück, da Ephialtes mit seiner Behinderung zwar einen Speer führen kann, aber sein schwacher Schildarm die Phalanx der Griechen schwächen würde. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Er bietet Ephialtes die Aufgabe an, stattdessen verwundete oder gefallene Cl Final zu betreuen, was dieser gekränkt von sich weist. As several scholars have commented, this depiction of Sparta is problematic with regard to historical record. Leonidas lehnt jedoch ab und schlägt mit seinen Männern auch die Elitegarde des Königs, die gefürchteten Unsterblichenzurück, was Xerxes noch mehr erzürnt. Allerdings entgegnete sie dies nicht, wie im Film, einem persischen Abgesandten. Ebert gehört zu einer Reihe Free Mobile Game Apps Kritikern, die dem Film vorwerfen, ein faschistisches Ideal zu feiern. Daraufhin erdolcht ihn die Königin, und aus seiner Tasche fallen persische Münzen — so erkennt der Senat Theron Dragon Free Verräter.

See also: Falcon Kick. The scene originates from the film directed by Zack Snyder, an American film adapted from a graphic novel of the same name by Frank Miller, a fictionalized retelling of the Battle of Thermopylae The film tells the story of King Leonidas and his lead of Spartans into battle against Persian King Xerxes and his army of more than one million soldiers.

Right before battle, a Persian messenger arrives at the gates of Sparta demanding the submission of Sparta to King Xerxes.

In response to this demand, Leonidas and his guards kick the messengers into the large well, immediately after shouting "This is Sparta!

Months before the release of the film, the theatrical trailer was enough to spawn spoofs and parodies of the catchphrase.

Because of the over-dramatic action sequence, the quote became the subject of a number of different Internet fads almost from the start. In pop culture, the film's famous parody had also been appearing in film and television such as South Park , Robot Chicken , Night at the Museum 2 and others.

Sparta Remix is the name given to a mash-up based on a scene from the movie The Kick is a person kicking another usually resulting in them falling a great height sometimes accompanied by the caption "This is Sparta.

A cut-out image of Leonida's face from the end of the movie photoshopped into an image with a caption of This Is X! X is the relevant subject in the image that usually ends in an "a" and is extended for effect.

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Like us on Facebook! About This is Sparta! Origin The scene originates from the film directed by Zack Snyder, an American film adapted from a graphic novel of the same name by Frank Miller, a fictionalized retelling of the Battle of Thermopylae The film tells the story of King Leonidas and his lead of Spartans into battle against Persian King Xerxes and his army of more than one million soldiers.

Nunnari discovered Frank Miller's graphic novel , which impressed him enough to acquire the film rights. Gordon wrote the script.

The film is a shot-for-shot adaptation of the comic book , similar to the film adaptation of Sin City.

Snyder used this narrative technique to show the audience that the surreal "Frank Miller world" of was told from a subjective perspective.

By using Dilios' gift of storytelling, he was able to introduce fantasy elements into the film, explaining that "Dilios is a guy who knows how not to wreck a good story with truth.

Two months of pre-production were required to create hundreds of shields, spears, and swords, some of which were recycled from Troy and Alexander.

Creatures were designed by Jordu Schell , [17] and an animatronic wolf and thirteen animatronic horses were created. The actors trained alongside the stuntmen, and even Snyder joined in.

Upwards of costumes were created for the film, as well as extensive prosthetics for various characters and the corpses of Persian soldiers.

Shaun Smith and Mark Rappaport worked hand in hand with Snyder in pre-production to design the look of the individual characters, and to produce the prosthetic makeup effects, props, weapons and dummy bodies required for the production.

Butler said that while he did not feel constrained by Snyder's direction, fidelity to the comic imposed certain limitations on his performance.

Wenham said there were times when Snyder wanted to precisely capture iconic moments from the comic book, and other times when he gave actors freedom "to explore within the world and the confines that had been set".

Post-production was handled by Montreal's Meteor Studios and Hybride Technologies filled in the bluescreen footage with more than 1, visual effects shots.

Visual effects supervisor Chris Watts and production designer Jim Bissell created a process dubbed "The Crush," [18] which allowed the Meteor artists to manipulate the colors by increasing the contrast of light and dark.

Certain sequences were desaturated and tinted to establish different moods. Ghislain St-Pierre, who led the team of artists, described the effect: "Everything looks realistic, but it has a kind of a gritty illustrative feel.

In July , composer Tyler Bates began work on the film, describing the score as having "beautiful themes on the top and large choir," but "tempered with some extreme heaviness".

The composer had scored for a test scene that the director wanted to show to Warner Bros. Bates said that the score had "a lot of weight and intensity in the low end of the percussion" that Snyder found agreeable to the film.

The score has caused some controversy in the film composer community, garnering criticism for its striking similarity to several other recent soundtracks, including James Horner and Gabriel Yared 's work for the film Troy.

The heaviest borrowings are said to be from Elliot Goldenthal 's score for Titus. Pictures acknowledged in an official statement:.

Warner Bros. Pictures has great respect for Elliot, our longtime collaborator, and is pleased to have amicably resolved this matter.

The official website was launched by Warner Bros. The "conceptual art" and Zack Snyder's production blog were the initial attractions of the site.

In January , the studio launched a MySpace page for the film. At Comic-Con International in July , the panel aired a promotional teaser of the film, which was positively received.

A second trailer, which was attached to Apocalypto , was released in theaters on December 8, , [41] and online the day before. In April , Warner Bros.

Interactive Entertainment announced its intention to make a PlayStation Portable game, March to Glory , based on the film. Collision Studios worked with Warner Bros.

In August , Warner Bros. On July 21, , Warner Bros. This new Blu-ray Disc is encased in a page Digibook and includes all the extras from the original release as well as some new ones.

These features include a picture-in-picture feature entitled The Complete A Comprehensive Immersion , which enables the viewer to view the film in three different perspectives.

This release also includes a digital copy. On October 6 a 4k edition of the film will be released [53]. TNT agreed to a three-year deal instead of the more typical five-year deal.

Once you make a great movie, word can spread very quickly. Since its world premiere at the Berlin International Film Festival on February 14, , in front of 1, audience members, has received generally mixed reviews.

While it received a standing ovation at the public premiere, [67] it was panned at a press screening hours earlier, where many attendees left during the showing and those who remained booed at the end.

The site's critical consensus reads, "A simple-minded but visually exciting experience, full of blood, violence, and ready-made movie quotes.

Some of the most unfavorable reviews came from major American newspapers. Scott of The New York Times describes as "about as violent as Apocalypto and twice as stupid," while criticizing its color scheme and suggesting that its plot includes racist undertones; Scott also poked fun at the buffed bodies of the actors portraying the Spartans, declaring that the Persian characters are "pioneers in the art of face-piercing", but that the Spartans had access to "superior health clubs and electrolysis facilities".

Variety 's Todd McCarthy describes the film as "visually arresting" although "bombastic" [76] while Kirk Honeycutt, writing in The Hollywood Reporter , praises the "beauty of its topography , colors and forms".

In the actual historical event, by the time of the Battle of Thermopylae the Spartans had already entered into an alliance with other Greek poleis against the Persians.

Like during the Battle of Marathon 10 years before in , the time of Xerxes's invasion of Greece coincided with a Spartan religious festival, the Carneia, in which the Spartans were not permitted to make war.

Still, realizing the threat of the Persians, and not wanting to appear as Persian sympathizers, the Spartan government—rather than Leonidas alone—decided to send Leonidas with his personal strong bodyguard to Thermopylae.

The historical consensus among both ancient chroniclers and current scholars was that Thermopylae was a clear Greek defeat; the Persian invasion would be pushed back in later ground and naval battles.

Since few records about the actual martial arts used by the Spartans survive aside from accounts of formations and tactics, the fight choreography led by stunt coordinator and fight choreographer Damon Caro, was a synthesis of different weapon arts with Filipino martial arts as the base.

The Spartans' use of the narrow terrain, in those particular circumstances, is a military tactic known as " defeat in detail ".

Paul Cartledge , Professor of Greek History at Cambridge University , advised the filmmakers on the pronunciation of Greek names, and said they "made good use" of his published work on Sparta.

He praises the film for its portrayal of "the Spartans' heroic code", and of "the key role played by women in backing up, indeed reinforcing, the male martial code of heroic honour", while expressing reservations about its " 'West' goodies vs 'East' baddies polarization".

Ephraim Lytle, assistant professor of Hellenistic History at the University of Toronto , said selectively idealizes Spartan society in a "problematic and disturbing" fashion, as well as portraying the "hundred nations of the Persians" as monsters and non-Spartan Greeks as weak.

He suggests that the film's moral universe would have seemed "as bizarre to ancient Greeks as it does to modern historians". Leonidas points out that his hunched back means Ephialtes cannot lift his shield high enough to fight in the phalanx.

This is a transparent defence of Spartan eugenics , and convenient given that infanticide could as easily have been precipitated by an ill-omened birthmark.

Victor Davis Hanson , National Review columnist and former professor of Classical history at California State University, Fresno , who wrote the foreword to a re-issue of the graphic novel, said the film demonstrates a specific affinity with the original material of Herodotus in that it captures the martial ethos of ancient Sparta and represents Thermopylae as a "clash of civilizations".

He remarks that Simonides , Aeschylus , and Herodotus viewed Thermopylae as a battle against "Eastern centralism and collective serfdom", which opposed "the idea of the free citizen of an autonomous polis ".

Some passages from the Classical authors Aeschylus , Diodorus , Herodotus and Plutarch are split over the movie to give it an authentic flavor. Aeschylus becomes a major source when the battle with the "monstrous human herd" of the Persians is narrated in the film.

Diodorus' statement about Greek valor to preserve their liberty is inserted in the film, but his mention of Persian valor is omitted.

Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the " misogynist " Persian ambassador and the Spartan king.

Classical sources are certainly used, but exactly in all the wrong places, or quite naively. The Athenians were fighting a sea battle during this.

It's about the romanticizing of the Spartan 'ideal', a process that began even in ancient times, was promoted by the Romans, and has survived over time while less and less resembling the actual historical Sparta.

The director of , Zack Snyder , stated in an MTV interview that "the events are 90 percent accurate. It's just in the visualization that it's crazy I've shown this movie to world-class historians who have said it's amazing.

They can't believe it's as accurate as it is. That's what I say when people say it's historically inaccurate". He also describes the film's narrator, Dilios, as "a guy who knows how not to wreck a good story with truth".

In an interview writer Frank Miller said, "The inaccuracies, almost all of them, are intentional. I took those chest plates and leather skirts off of them for a reason.

I wanted these guys to move and I wanted 'em to look good. I knocked their helmets off a fair amount, partly so you can recognize who the characters are.

Spartans, in full regalia, were almost indistinguishable except at a very close angle. Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king.

I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves.

Because the histories are endlessly fascinating. Kaveh Farrokh , in a paper entitled "The Movie: Separating Fact from Fiction", [] notes that the film falsely portrays "the Greco-Persian Wars in binary terms: the democratic, good, rational 'Us' versus the tyrannical, evil and irrational, 'other' of the ever-nebulous if not exotic 'Persia ' ".

He highlights three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights. This was the first time in history that a world power had guaranteed the survival of the Jewish people, religion, customs and culture.

Before the release of , Warner Bros. Snyder relates that there was "a huge sensitivity about East versus West with the studio".

Snyder replied that, while he was aware that people would read the film through the lens of current events, no parallels between the film and the modern world were intended.

Outside the current political parallels, some critics have raised more general questions about the film's ideological orientation.

The New York Post ' s Kyle Smith wrote that the film would have pleased " Adolf 's boys," [] and Slate 's Dana Stevens compares the film to The Eternal Jew , "as a textbook example of how race-baiting fantasy and nationalist myth can serve as an incitement to total war.

Since it's a product of the post-ideological, post- Xbox 21st century, will instead be talked about as a technical achievement, the next blip on the increasingly blurry line between movies and video games.

Newsday critic Gene Seymour, on the other hand, stated that such reactions are misguided, writing that "the movie's just too darned silly to withstand any ideological theorizing".

They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights. It's a paradox that they were a bunch of people who in many ways were fascist , but they were the bulwark against the fall of democracy.

The closest comparison you can draw in terms of our own military today is to think of the red-caped Spartans as being like our special-ops forces.

They're these almost superhuman characters with a tremendous warrior ethic , who were unquestionably the best fighters in Greece. I didn't want to render Sparta in overly accurate terms, because ultimately I do want you to root for the Spartans.

I couldn't show them being quite as cruel as they were. I made them as cruel as I thought a modern audience could stand. Michael M.

Chemers, author of " ' With Your Shield, or on It': Disability Representation in " in the Disability Studies Quarterly , said that the film's portrayal of the hunchback and his story "is not mere ableism : this is anti-disability".

It would be much more classically Spartan if Leonidas laughed and kicked him off the cliff. From its opening, also attracted controversy over its portrayal of Persians.

Officials of the Iranian government [] denounced the film. The film's portrayal of ancient Persians caused a particularly strong reaction in Iran.

Azadeh Moaveni of Time reported, "All of Tehran was outraged. Everywhere I went yesterday, the talk vibrated with indignation over the film".

Ayende-No , an independent Iranian newspaper, said that "[t]he film depicts Iranians as demons, without culture, feeling or humanity, who think of nothing except attacking other nations and killing people".

Moaveni identified two factors which may have contributed to the intensity of Iranian indignation over the film.

First, she describes the timing of the film's release, on the eve of Norouz , the Persian New Year , as "inauspicious".

Second, Iranians tend to view the era depicted in the film as "a particularly noble page in their history". Moaveni also suggests that "the box office success of , compared with the relative flop of Alexander another spurious period epic dealing with Persians , is cause for considerable alarm, signaling ominous U.

According to The Guardian , Iranian critics of , ranging from bloggers to government officials, have described the movie "as a calculated attempt to demonise Iran at a time of intensifying U.

The film focused on the Athenian admiral, Themistocles , as portrayed by Australian actor Sullivan Stapleton. The sequel, Rise of an Empire , was released on March 7, From Wikipedia, the free encyclopedia.

This article is about the film. For the sequel, see Rise of an Empire. Theatrical release poster. Release date. Running time.

Gerard Butler as Leonidas , King of Sparta. David Wenham as Dilios , narrator and Spartan soldier. Lena Headey as Queen Gorgo , Queen of Sparta Gorgo has a larger role in the film than she does in the comic book, where she only appears in the beginning.

Tom Wisdom as Astinos, Captain Artemis' eldest son. In the film Astinos has a constant presence until he dies. In the comic book, the Captain's son is only mentioned when he dies.

Andrew Tiernan as Ephialtes , a deformed Spartan outcast and traitor. Stephen McHattie as the Loyalist , a loyal Spartan politician.

Michael Fassbender as Stelios , a young, spirited and highly skilled Spartan soldier. Peter Mensah as a Persian messenger who gets kicked into the well by Leonidas.

Kelly Craig as Pythia , an Oracle to the Ephors. Tyler Neitzel as young Leonidas 15 years old. Robert Maillet as Über Immortal giant , a muscular and deranged Immortal who battles Leonidas during the Immortal fight.

Patrick Sabongui as the Persian General who tries to get Leonidas to comply at the end of the battle. Leon Laderach as Executioner , a hulking, clawed man who executes men who have displeased Xerxes.

Tyrone Benskin as the whip-wielding Persian Emissary. Main article: Original Motion Picture Soundtrack.

Main article: Rise of an Empire. Ancient Greece portal Film portal United States portal. British Board of Film Classification.

February 22, Archived from the original on September 16, Retrieved September 6, Archived from the original on October 15, Retrieved November 18, Box Office Mojo.

Archived from the original on March 13, Retrieved March 8, Archived from the original on January 27, Retrieved January 26, Retrieved October 5, Worley March 9, Archived from the original on April 30, Retrieved April 17, Broken Frontier.

Archived from the original on May 21, Archived from the original on May 3, Xenophon explicitly denies it, [97] but not Plutarch. Spartan men remained in the active reserve until age Men were encouraged to marry at age 20 but could not live with their families until they left their active military service at age They called themselves " homoioi " equals , pointing to their common lifestyle and the discipline of the phalanx , which demanded that no soldier be superior to his comrades.

Spartans buried their battle dead on or near the battle field; corpses were not brought back on their hoplons.

Thus the shield was symbolic of the individual soldier's subordination to his unit, his integral part in its success, and his solemn responsibility to his comrades in arms — messmates and friends, often close blood relations.

According to Aristotle, the Spartan military culture was actually short-sighted and ineffective. He observed:. It is the standards of civilized men not of beasts that must be kept in mind, for it is good men not beasts who are capable of real courage.

Those like the Spartans who concentrate on the one and ignore the other in their education turn men into machines and in devoting themselves to one single aspect of city's life, end up making them inferior even in that.

One of the most persistent myths about Sparta that has no basis in fact is the notion that Spartan mothers were without feelings toward their off-spring and helped enforce a militaristic lifestyle on their sons and husbands.

In some of these sayings, mothers revile their sons in insulting language merely for surviving a battle. These sayings purporting to be from Spartan women were far more likely to be of Athenian origin and designed to portray Spartan women as unnatural and so undeserving of pity.

Sparta's agriculture consisted mainly of barley, wine, cheese, grain, and figs. These items were grown locally on each Spartan citizen's kleros and were tended to by helots.

Spartan citizens were required to donate a certain amount of what they yielded from their kleros to their syssitia, or mess.

These donations to the syssitia were a requirement for every Spartan citizen. All the donated food was then redistributed to feed the Spartan population of that syssitia.

The custom was to capture women for marriage The so-called 'bridesmaid' took charge of the captured girl.

She first shaved her head to the scalp, then dressed her in a man's cloak and sandals, and laid her down alone on a mattress in the dark. The bridegroom — who was not drunk and thus not impotent, but was sober as always — first had dinner in the messes, then would slip in, undo her belt, lift her and carry her to the bed.

The husband continued to visit his wife in secret for some time after the marriage. These customs, unique to the Spartans, have been interpreted in various ways.

One of them decidedly supports the need to disguise the bride as a man in order to help the bridegroom consummate the marriage, so unaccustomed were men to women's looks at the time of their first intercourse.

The "abduction" may have served to ward off the evil eye , and the cutting of the wife's hair was perhaps part of a rite of passage that signaled her entrance into a new life.

Spartan women, of the citizenry class, enjoyed a status, power, and respect that was unknown in the rest of the classical world.

The higher status of females in Spartan society started at birth; unlike Athens, Spartan girls were fed the same food as their brothers.

The reasons for delaying marriage were to ensure the birth of healthy children, but the effect was to spare Spartan women the hazards and lasting health damage associated with pregnancy among adolescents.

Spartan women, better fed from childhood and fit from exercise, stood a far better chance of reaching old age than their sisters in other Greek cities, where the median age for death was Unlike Athenian women who wore heavy, concealing clothes and were rarely seen outside the house, Spartan women wore dresses peplos slit up the side to allow freer movement and moved freely about the city, either walking or driving chariots.

Girls as well as boys exercised, possibly in the nude, and young women as well as young men may have participated in the Gymnopaedia "Festival of Nude Youths".

In accordance with the Spartan belief that breeding should be between the most physically fit parents, many older men allowed younger, more fit men, to impregnate their wives.

Other unmarried or childless men might even request another man's wife to bear his children if she had previously been a strong child bearer.

The Spartan population was hard to maintain due to the constant absence and loss of the men in battle and the intense physical inspection of newborns.

Spartan women were also literate and numerate, a rarity in the ancient world. Furthermore, as a result of their education and the fact that they moved freely in society engaging with their fellow male citizens, they were notorious for speaking their minds even in public.

Plato goes on to praise Spartan women's ability when it came to philosophical discussion. Most importantly, Spartan women had economic power because they controlled their own properties, and those of their husbands.

Unlike women in Athens, if a Spartan woman became the heiress of her father because she had no living brothers to inherit an epikleros , the woman was not required to divorce her current spouse in order to marry her nearest paternal relative.

Many women played a significant role in the history of Sparta. Herodotus records that as a small girl she advised her father Cleomenes to resist a bribe.

She was later said to be responsible for decoding a warning that the Persian forces were about to invade Greece; after Spartan generals could not decode a wooden tablet covered in wax, she ordered them to clear the wax, revealing the warning.

Laconophilia is love or admiration of Sparta and its culture or constitution. Sparta was subject of considerable admiration in its day, even in rival Athens.

In ancient times "Many of the noblest and best of the Athenians always considered the Spartan state nearly as an ideal theory realised in practice. With the revival of classical learning in Renaissance Europe , Laconophilia re-appeared, for example in the writings of Machiavelli.

The Elizabethan English constitutionalist John Aylmer compared the mixed government of Tudor England to the Spartan republic, stating that "Lacedemonia [was] the noblest and best city governed that ever was".

He commended it as a model for England. The philosopher Jean-Jacques Rousseau contrasted Sparta favourably with Athens in his Discourse on the Arts and Sciences , arguing that its austere constitution was preferable to the more sophisticated Athenian life.

Sparta was also used as a model of austere purity by Revolutionary and Napoleonic France. A German racist strain of Laconophilia was initiated by Karl Otfried Müller , who linked Spartan ideals to the supposed racial superiority of the Dorians, the ethnic sub-group of the Greeks to which the Spartans belonged.

In the 20th century, this developed into Fascist admiration of Spartan ideals. Adolf Hitler praised the Spartans, recommending in that Germany should imitate them by limiting "the number allowed to live".

He added that "The Spartans were once capable of such a wise measure The subjugation of , Helots by 6, Spartans was only possible because of the racial superiority of the Spartans.

Certain early Zionists, and particularly the founders of Kibbutz movement in Israel, were influenced by Spartan ideals, particularly in education.

Tabenkin , a founding father of the Kibbutz movement and the Palmach strikeforce, prescribed that education for warfare "should begin from the nursery", that children should from kindergarten be taken to "spend nights in the mountains and valleys".

In modern times, the adjective "spartan" means simple, frugal, avoiding luxury and comfort. Sparta also features prominently in modern popular culture , most famously the Battle of Thermopylae see Battle of Thermopylae in popular culture.

From Wikipedia, the free encyclopedia. This article is about the ancient Greek city-state. For modern-day Sparta, see Sparta, Laconia.

For other uses, see Sparta disambiguation. For other uses, see Spartan disambiguation. City-state in ancient Greece. The letter lambda was used by the Spartan army as a symbol of Lacedaemon.

Ephors Gerousia. Main article: Menelaion. Main article: History of Sparta. Main article: Spartan Constitution. Main article: Helots. Main article: Perioeci.

Main article: Agoge. Main articles: Spartan army and Spartiate. Main article: Women in ancient Sparta.

Main article: Laconophilia. The metics, i. There an amphitheatre was built in the 3rd century AD to observe the ritual whipping of Spartan youths. History of western philosophy.

Word study tool of Ancient languages. University of Oslo. In Bakker, Egbert J. A Companion to the Ancient Greek Language. Blackwell Companions to the Ancient World.

Etymological Dictionary of Greek. With the assistance of Lucien van Beek. Leiden, Boston: Brill. Archived from the original on Retrieved Lefkowitz, Mary R.

Black Athena Revisited. The University of North Carolina Press. Charlton T. Lewis and Charles Short. A Latin Dictionary on Perseus Project.

A Dictionary of Ancient Geography [etc. Robinson [etc. Hesychii Alexandrini Lexicon in Greek. Jena: Frederick Mauk. Contributions toward a History of Arabico-Gothic Culture.

In Chisholm, Hugh ed. Cambridge University Press. David Cartwright, p. Franz Steiner Verlag. Encyclopedia Of Ancient Greece.

Routledge UK. Matthew Bennett, p. By Agnes Savill. In Pohlenz, M. Tusculanae Disputationes in Latin.

Leipzig: Teubner. At the Perseus Project. Hellenistic and Roman Sparta. Psychology Press. The Oxford Companion to Classical Literature.

This Is Sparta Video

THIS IS SPARTA!!!

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Like us on Facebook! About This is Sparta! Origin The scene originates from the film directed by Zack Snyder, an American film adapted from a graphic novel of the same name by Frank Miller, a fictionalized retelling of the Battle of Thermopylae The film tells the story of King Leonidas and his lead of Spartans into battle against Persian King Xerxes and his army of more than one million soldiers.

Full Scene Transcript Leonidas: You bring the crowns and heads of conquered kings to my city steps. You insult my queen. You threaten my people with slavery and death.

Oh, I've chosen my words carefully, Persian. Perhaps you should have done the same. Persian Messenger: This is Blasphemy! This is Madness! Leonidas: Madness?

Related Entries 1 total Sparta Remix. This Is Sparta! Uploaded by Evol. Uploaded by Bonnie Snow. I've shown this movie to world-class historians who have said it's amazing.

They can't believe it's as accurate as it is. That's what I say when people say it's historically inaccurate". He also describes the film's narrator, Dilios, as "a guy who knows how not to wreck a good story with truth".

In an interview writer Frank Miller said, "The inaccuracies, almost all of them, are intentional. I took those chest plates and leather skirts off of them for a reason.

I wanted these guys to move and I wanted 'em to look good. I knocked their helmets off a fair amount, partly so you can recognize who the characters are.

Spartans, in full regalia, were almost indistinguishable except at a very close angle. Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king.

I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves.

Because the histories are endlessly fascinating. Kaveh Farrokh , in a paper entitled "The Movie: Separating Fact from Fiction", [] notes that the film falsely portrays "the Greco-Persian Wars in binary terms: the democratic, good, rational 'Us' versus the tyrannical, evil and irrational, 'other' of the ever-nebulous if not exotic 'Persia ' ".

He highlights three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights.

This was the first time in history that a world power had guaranteed the survival of the Jewish people, religion, customs and culture.

Before the release of , Warner Bros. Snyder relates that there was "a huge sensitivity about East versus West with the studio". Snyder replied that, while he was aware that people would read the film through the lens of current events, no parallels between the film and the modern world were intended.

Outside the current political parallels, some critics have raised more general questions about the film's ideological orientation.

The New York Post ' s Kyle Smith wrote that the film would have pleased " Adolf 's boys," [] and Slate 's Dana Stevens compares the film to The Eternal Jew , "as a textbook example of how race-baiting fantasy and nationalist myth can serve as an incitement to total war.

Since it's a product of the post-ideological, post- Xbox 21st century, will instead be talked about as a technical achievement, the next blip on the increasingly blurry line between movies and video games.

Newsday critic Gene Seymour, on the other hand, stated that such reactions are misguided, writing that "the movie's just too darned silly to withstand any ideological theorizing".

They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights.

It's a paradox that they were a bunch of people who in many ways were fascist , but they were the bulwark against the fall of democracy.

The closest comparison you can draw in terms of our own military today is to think of the red-caped Spartans as being like our special-ops forces.

They're these almost superhuman characters with a tremendous warrior ethic , who were unquestionably the best fighters in Greece.

I didn't want to render Sparta in overly accurate terms, because ultimately I do want you to root for the Spartans. I couldn't show them being quite as cruel as they were.

I made them as cruel as I thought a modern audience could stand. Michael M. Chemers, author of " ' With Your Shield, or on It': Disability Representation in " in the Disability Studies Quarterly , said that the film's portrayal of the hunchback and his story "is not mere ableism : this is anti-disability".

It would be much more classically Spartan if Leonidas laughed and kicked him off the cliff. From its opening, also attracted controversy over its portrayal of Persians.

Officials of the Iranian government [] denounced the film. The film's portrayal of ancient Persians caused a particularly strong reaction in Iran.

Azadeh Moaveni of Time reported, "All of Tehran was outraged. Everywhere I went yesterday, the talk vibrated with indignation over the film".

Ayende-No , an independent Iranian newspaper, said that "[t]he film depicts Iranians as demons, without culture, feeling or humanity, who think of nothing except attacking other nations and killing people".

Moaveni identified two factors which may have contributed to the intensity of Iranian indignation over the film. First, she describes the timing of the film's release, on the eve of Norouz , the Persian New Year , as "inauspicious".

Second, Iranians tend to view the era depicted in the film as "a particularly noble page in their history". Moaveni also suggests that "the box office success of , compared with the relative flop of Alexander another spurious period epic dealing with Persians , is cause for considerable alarm, signaling ominous U.

According to The Guardian , Iranian critics of , ranging from bloggers to government officials, have described the movie "as a calculated attempt to demonise Iran at a time of intensifying U.

The film focused on the Athenian admiral, Themistocles , as portrayed by Australian actor Sullivan Stapleton.

The sequel, Rise of an Empire , was released on March 7, From Wikipedia, the free encyclopedia. This article is about the film. For the sequel, see Rise of an Empire.

Theatrical release poster. Release date. Running time. Gerard Butler as Leonidas , King of Sparta. David Wenham as Dilios , narrator and Spartan soldier.

Lena Headey as Queen Gorgo , Queen of Sparta Gorgo has a larger role in the film than she does in the comic book, where she only appears in the beginning.

Tom Wisdom as Astinos, Captain Artemis' eldest son. In the film Astinos has a constant presence until he dies. In the comic book, the Captain's son is only mentioned when he dies.

Andrew Tiernan as Ephialtes , a deformed Spartan outcast and traitor. Stephen McHattie as the Loyalist , a loyal Spartan politician.

Michael Fassbender as Stelios , a young, spirited and highly skilled Spartan soldier. Peter Mensah as a Persian messenger who gets kicked into the well by Leonidas.

Kelly Craig as Pythia , an Oracle to the Ephors. Tyler Neitzel as young Leonidas 15 years old.

Robert Maillet as Über Immortal giant , a muscular and deranged Immortal who battles Leonidas during the Immortal fight.

Patrick Sabongui as the Persian General who tries to get Leonidas to comply at the end of the battle.

Leon Laderach as Executioner , a hulking, clawed man who executes men who have displeased Xerxes. Tyrone Benskin as the whip-wielding Persian Emissary.

Main article: Original Motion Picture Soundtrack. Main article: Rise of an Empire. Ancient Greece portal Film portal United States portal.

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In some of these sayings, mothers revile their sons in insulting language merely for surviving a battle. These sayings purporting to be from Spartan women were far more likely to be of Athenian origin and designed to portray Spartan women as unnatural and so undeserving of pity.

Sparta's agriculture consisted mainly of barley, wine, cheese, grain, and figs. These items were grown locally on each Spartan citizen's kleros and were tended to by helots.

Spartan citizens were required to donate a certain amount of what they yielded from their kleros to their syssitia, or mess. These donations to the syssitia were a requirement for every Spartan citizen.

All the donated food was then redistributed to feed the Spartan population of that syssitia. The custom was to capture women for marriage The so-called 'bridesmaid' took charge of the captured girl.

She first shaved her head to the scalp, then dressed her in a man's cloak and sandals, and laid her down alone on a mattress in the dark. The bridegroom — who was not drunk and thus not impotent, but was sober as always — first had dinner in the messes, then would slip in, undo her belt, lift her and carry her to the bed.

The husband continued to visit his wife in secret for some time after the marriage. These customs, unique to the Spartans, have been interpreted in various ways.

One of them decidedly supports the need to disguise the bride as a man in order to help the bridegroom consummate the marriage, so unaccustomed were men to women's looks at the time of their first intercourse.

The "abduction" may have served to ward off the evil eye , and the cutting of the wife's hair was perhaps part of a rite of passage that signaled her entrance into a new life.

Spartan women, of the citizenry class, enjoyed a status, power, and respect that was unknown in the rest of the classical world.

The higher status of females in Spartan society started at birth; unlike Athens, Spartan girls were fed the same food as their brothers.

The reasons for delaying marriage were to ensure the birth of healthy children, but the effect was to spare Spartan women the hazards and lasting health damage associated with pregnancy among adolescents.

Spartan women, better fed from childhood and fit from exercise, stood a far better chance of reaching old age than their sisters in other Greek cities, where the median age for death was Unlike Athenian women who wore heavy, concealing clothes and were rarely seen outside the house, Spartan women wore dresses peplos slit up the side to allow freer movement and moved freely about the city, either walking or driving chariots.

Girls as well as boys exercised, possibly in the nude, and young women as well as young men may have participated in the Gymnopaedia "Festival of Nude Youths".

In accordance with the Spartan belief that breeding should be between the most physically fit parents, many older men allowed younger, more fit men, to impregnate their wives.

Other unmarried or childless men might even request another man's wife to bear his children if she had previously been a strong child bearer.

The Spartan population was hard to maintain due to the constant absence and loss of the men in battle and the intense physical inspection of newborns.

Spartan women were also literate and numerate, a rarity in the ancient world. Furthermore, as a result of their education and the fact that they moved freely in society engaging with their fellow male citizens, they were notorious for speaking their minds even in public.

Plato goes on to praise Spartan women's ability when it came to philosophical discussion. Most importantly, Spartan women had economic power because they controlled their own properties, and those of their husbands.

Unlike women in Athens, if a Spartan woman became the heiress of her father because she had no living brothers to inherit an epikleros , the woman was not required to divorce her current spouse in order to marry her nearest paternal relative.

Many women played a significant role in the history of Sparta. Herodotus records that as a small girl she advised her father Cleomenes to resist a bribe.

She was later said to be responsible for decoding a warning that the Persian forces were about to invade Greece; after Spartan generals could not decode a wooden tablet covered in wax, she ordered them to clear the wax, revealing the warning.

Laconophilia is love or admiration of Sparta and its culture or constitution. Sparta was subject of considerable admiration in its day, even in rival Athens.

In ancient times "Many of the noblest and best of the Athenians always considered the Spartan state nearly as an ideal theory realised in practice.

With the revival of classical learning in Renaissance Europe , Laconophilia re-appeared, for example in the writings of Machiavelli.

The Elizabethan English constitutionalist John Aylmer compared the mixed government of Tudor England to the Spartan republic, stating that "Lacedemonia [was] the noblest and best city governed that ever was".

He commended it as a model for England. The philosopher Jean-Jacques Rousseau contrasted Sparta favourably with Athens in his Discourse on the Arts and Sciences , arguing that its austere constitution was preferable to the more sophisticated Athenian life.

Sparta was also used as a model of austere purity by Revolutionary and Napoleonic France. A German racist strain of Laconophilia was initiated by Karl Otfried Müller , who linked Spartan ideals to the supposed racial superiority of the Dorians, the ethnic sub-group of the Greeks to which the Spartans belonged.

In the 20th century, this developed into Fascist admiration of Spartan ideals. Adolf Hitler praised the Spartans, recommending in that Germany should imitate them by limiting "the number allowed to live".

He added that "The Spartans were once capable of such a wise measure The subjugation of , Helots by 6, Spartans was only possible because of the racial superiority of the Spartans.

Certain early Zionists, and particularly the founders of Kibbutz movement in Israel, were influenced by Spartan ideals, particularly in education.

Tabenkin , a founding father of the Kibbutz movement and the Palmach strikeforce, prescribed that education for warfare "should begin from the nursery", that children should from kindergarten be taken to "spend nights in the mountains and valleys".

In modern times, the adjective "spartan" means simple, frugal, avoiding luxury and comfort. Sparta also features prominently in modern popular culture , most famously the Battle of Thermopylae see Battle of Thermopylae in popular culture.

From Wikipedia, the free encyclopedia. This article is about the ancient Greek city-state. For modern-day Sparta, see Sparta, Laconia. For other uses, see Sparta disambiguation.

For other uses, see Spartan disambiguation. City-state in ancient Greece. The letter lambda was used by the Spartan army as a symbol of Lacedaemon.

Ephors Gerousia. Main article: Menelaion. Main article: History of Sparta. Main article: Spartan Constitution. Main article: Helots.

Main article: Perioeci. Main article: Agoge. Main articles: Spartan army and Spartiate. Main article: Women in ancient Sparta.

Main article: Laconophilia. The metics, i. There an amphitheatre was built in the 3rd century AD to observe the ritual whipping of Spartan youths.

History of western philosophy. Word study tool of Ancient languages. University of Oslo. In Bakker, Egbert J. A Companion to the Ancient Greek Language.

Blackwell Companions to the Ancient World. Etymological Dictionary of Greek. With the assistance of Lucien van Beek. Leiden, Boston: Brill.

Archived from the original on Retrieved Lefkowitz, Mary R. Black Athena Revisited. The University of North Carolina Press. Charlton T.

Lewis and Charles Short. A Latin Dictionary on Perseus Project. A Dictionary of Ancient Geography [etc. Robinson [etc. Hesychii Alexandrini Lexicon in Greek.

Jena: Frederick Mauk. Contributions toward a History of Arabico-Gothic Culture. In Chisholm, Hugh ed. Cambridge University Press.

David Cartwright, p. Franz Steiner Verlag. Encyclopedia Of Ancient Greece. Routledge UK. Matthew Bennett, p. By Agnes Savill. In Pohlenz, M. Tusculanae Disputationes in Latin.

Leipzig: Teubner. At the Perseus Project. Hellenistic and Roman Sparta. Psychology Press. The Oxford Companion to Classical Literature.

Pomeroy , Stanley M. Powell, , p. In Kohl, Marvin ed. Infanticide and the Value of Life. NY: Prometheus Books. However this may be conflating later practice with that of the classical period.

Beth Cohen, p. Western Heritage. David Brill Archive. J Homosex.

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